(Posted March 23,
2009)
NASHVILLE, Tenn. – Mounting an
autobiographically inspired stage work after its creator has done so
is a heady challenge. Audiences are asked to accept the very real,
very personal story indelibly stamped on the public consciousness by
that creator but now interpreted by someone
else.
Tennessee Women’s Theater Project
apparently welcomes that challenge, since they did Susan Coyne’s KINGFISHER DAYS in September
to critical and audience acclaim. Their recently completed run of
Lisa Kron’s WELL is
another foray into memory play territory, and like its earlier
colleague this recently completed run deserved high
praise.
Kron first presented and starred in
WELL for New York’s
Public Theater before taking it to Broadway in 2006. It may be her
story, but TWTP has winningly made it their
own.
While such plays are inspired by
real-life people and events, they appropriately acknowledge the form
in which they’re presented. This is not dry history, but theater, so
character composites, time compression and exaggeration are not only
acceptable but also welcome.
Kron through WELL tells us she wants to
look at the issue of whether we are responsible for our own
sicknesses. She has been down this road at a clinic where she went
for treatment as a young woman, and her mother Ann has been
perpetually ill.
But there’s a delightful fly in the
ointment for her pursuit of this theme – her mother Ann, whose
memory of people and events is clearly and cleverly at odds with her
daughter’s recollections. Ann sits off to the side in her living
room, constantly interjecting her take on the
proceedings.
She’s eventually aided by the four
actors Kron has hired to present her story, who come to like and
feel sympathy for the elder Kron. This creates often funny and
sometimes poignant conflict which makes for a thought-provoking and
enjoyable entertainment about much more than
illness.
Lisa Dunaway was Kron. Dunaway has a
lengthy stage resume, though in recent years she’s focused on
non-acting work and family. The time away hasn’t impaired her acting
ability, though. She was completely believable in the lead role,
whether speaking straight to the audience or interacting with her
fellow performers. I hope Dunaway will find more roles to play here
because her artistic commitment and quality make her a pleasure to
watch.
Carol Shaw was a delight as Kron’s
mother. Ann Kron commanded her part of the stage – and often the
rest of the proscenium too – with feisty but loving insightfulness
because of Kron’s wonderful writing and Shaw’s strong performance.
This talented show biz actor/singer veteran remains a real credit to
Nashville’s artistic
community.
The other ensemble members – Shane
Bridges, Shonka Dukureh, Stacia McKee and Bakari King – were no less
impressive with the multiple roles they played. That’s down to their
abilities and experiences in professional theater, but it’s also a
sign of TWTP’s consistently high standards under Artistic Director
Maryanna Clarke.
Clarke directed this piece as she has
so many others, with a theatrically adept but appropriately
transparent hand. She has the wisdom to get the best collaborators
she can and then facilitate but not dominate the creation and
exploration of each production’s
world.
The technical elements deserved
praise too. Amber Wallace’s set was a perfect creation of realistic
and absurdist elements while Susan Jakoblew’s costumes framed each
character convincingly. Katie Gant’s lighting was revealing and
precise; Chris Clarke’s sound was crisp and
cohesive.
All the production elements combined
to create another successful show for TWTP. Tennessee Women’s Theater Project has been a
beacon for women’s stories and a shining light in Nashville’s
theater scene since 2005. WELL, with its challenges
and rewards, was another link in a beautiful artistic chain Clarke
and her colleagues continue to build. May that chain stretch across
many years for the entertainment and edification of us
all.
To See The
Show...
WELL
closed March 8. Visit the Tennessee Women's Theater Project
website for more info about the
company.